This is from one of my many, many sketchbooks circa 1980s– that space between drawn figures asks to be played with
All through high school I was obsessed with the visual wonders seen in the space between things–known as “negative space”. I didn’t speak of this to anyone, but just watched the beauty of the contour of prople and how the shapes between people or people and things looked. Later, I’d draw people and apply what I had seen and use what I had stored up inside of my mind all day. The gentle gesture of a hand against a chair, with another person leaning beside the chair, for example, could create a wondrous harmony or even indicate a dynamic of emotion (do the figures move away from each other or lean in toward one another comfortably?). And people never knew this about themselves. They might look triumphant standing under a great arch, yet they may have even been having a rotten day, and feel utterly diminished when I’d want to tell them they were royal. The spaces between people and objects helped set up stages where things happened and do happen. My first day in art school, Maria Artemis (sculptor, teacher) spoke of this visual study, “negative space” and I knew I was home, it felt like I was in heaven, finally getting to study in-depth the thing I was interested in and not only that, others out there were also just as interested in this!