This is a detail taken from a recent intuitive stream drawing, and below that I colored it in so you could see how I saw it:
In a recent intuitive stream drawing reading, on the far right of the drawing (done in meditation with my eyes closed) I saw what to me looked like a penguin with an egg. Male penguins do take care of the eggs and it made me feel inwardly that for this client, talking about partnerships and love relationships and caring for children might be very important. Of course there are many other ways to interpret this image, but I went with what felt most powerful for me. Whenever I see an egg shape, I think of it as potential not yet hatched, great things to come within a person–wonderful strengths to realize. It turned out that this topic of partnerships and children, in particular raising children, was of the utmost concern to this client. The day after her reading session, she told me that as a matter of fact, she has loads of penguin images in her house for this very reason–the wish and desire to have a mate who will join in the raising of a child. I thought that synchronicity was a thrilling thing! It confirmed for me that somehow, at our finger tips, through drawing, we can discover and explore what matters to us and find ways to support one another. (This intuitive drawing technique is available to anyone who is interested. MAKING MARKS: Discover the Art of Intuitive Drawing will be out in May!).
From my sketchbook/ copyright Elaine Clayton 20014
I’m cold and want it to be like March normally is, which is mostly pleasant temperatures. I’m looking out the studio window and I see a few green blades of grass springing up in hard, frozen earth. Winter will not let go, and we expect snow tonight. Many people remark on the extreme oddity of the weather. We are in “earth changes” and we see extremes in climate and storms. For more on earth changes, http://en.wikipedia.org/wiki/Earth_Changes
My Cherokee mentor used to say that bathing in salt water (the ocean but also in salt baths) would heal you, and she said this could even change your DNA–check out this HeartMath Institute article on that http://www.heartmath.org/templates/ihm/e-newsletter/publication/2011/summer/you-can-change-your-dna.php. If our intentions and our emotions and thoughts as well as our environment can change who we think and feel we are, as well as who we are to come to be, then meaningful healing rituals such as salt baths are a great idea. Not a new idea. Think of John the Mikveh Man (otherwise known as “John the Baptist”) and his practice of submerging people to renew them in spirit, and long before that the mayyim hayyim (healing waters) Fount of Miriam where the Israelites drank while in the desert. Siloham, a pool cut into rocks in the center of the City of David is another ancient healing source to ponder http://en.wikipedia.org/wiki/Pool_of_Siloam. There is Lourdes where young Bernadette tended sheep and said she saw and spoke with “The Lady” and many other places. And in Ireland, I visited “The Warty Well” where you take a copper penny (if I remember correctly) and with the water and penny, rub the wart to make it fall off. (It works by testimony of people I know very well!). And of course there is consecrated holy water in many religions, but you don’t to go to ancient sites or even to new places where holy water can be found because at home you can put a cup of salt water in a bath, or instead, a cup of apple cider vinegar in a very hot bath and this is also known to help clear out your sinuses (as you breathe the steam) and draw toxins from the skin and glands. If you know of any other bathing sites or tips for healing in water, please let us know!
Detail from Dreaming of Shin and Shekinah /Elaine Clayton copyright 2014
There is a moment in the Friday night Shabbat service when everyone turns to face the open doors, to welcome the Sabbath Bride. She is Shekinah, the Holy Spirit, feminine aspect of God. I was late getting to the temple a few weeks ago, and saw that everyone had already started as I walked down the corridor to the sanctuary. Just as I walked through the doors, it just so happened that this was the moment everyone turned to greet the Sabbath Bride. It was funny, and I laughed and so did a few others. But actually, it felt really cool to get to walk in with Shekinah that night! I am painting this (see above, a detail) meditation of the Hebrew letter shin and of the spirit of Shekinah, a presence unseen but felt.
The Presence acrylic on canvas 8″x10″ Elaine Clayton copyright 2014
Do you see angels? They’re sometimes powerfully brilliant sparks and colors (blissful to behold!) and other times orbs of luminescent light, gliding softly, shimmering of love and calm (or are those orbs something other than angels, such as new souls or ?). I have seen some that move en masse (small) the way great flocks of birds do, in that mesmerizing swoosh, creating a changing shape as they fly together. I like to close my eyes and meditate, seeing what I see in the dark of my 3rd eye vision, until something happens. I’ll say out loud, “I’d like to see my guardian angel now.” Often a most glorious purple light comes into view, cloud-like and bright as ever. The reason I say they are angels is because there is a distinctive feeling of utter majesty and true bliss when seeing them. It’s the feeling that comes with the vision that counts. And the feeling is of deep love.
Life is sacred, when we engage with it as sacred. Every leaf, every speck is full of vibrance–the Spirit of Life is everywhere. I painted this thinking of my brother Ken and his richly poetic way of weaving words and images and stories into visions of humorous and life-enhacing awareness. He has inspired me and many to recognize the living spirit in my surroundings.
Mary and Martha/ painted sketch/ Elaine Clayton copyright 2013
I am studying Torah and taking Hebrew and LOVE IT. I recently had an exchange with the very brilliant Jewish scholar and author of several books, including The Jewish Annotated New Testament, Amy-Jill Levine. Her work helps bridge a gap of misunderstanding between two traditions that spring from the same source, Judaism and Christianity. Her concentration and love of this study has improved how we see and read the New Testament and I am so grateful that she dedicated herself to it for everyone’s benefit. I was recently called a “Bridge Person” myself by a rabbi and I think I am that, actually having had a meditation recently where I am on a bridge that connects the two religions. When I asked Ms. Levine what she liked most in the NT, one was the story of Mary and Martha. I admit that I have to actually study it myself to see what I think of it, but I enjoyed painting Mary as she is on her way to see Jesus while her sister Martha remains behind preparing food. I would probably relate more to Mary as I’m not always enthralled with preparing food, but am getting better as time goes by.
We were created into being as creators in our own right. When I’m commissioned to do a Spirit Painting, I feel this. My intention is to create whatever would best serve the one it is being created for. It is a form of prayer, a meditation on behalf of that individual. Most are done for people I have never seen or met, so I have no idea what they like or what their internal aspirations are or anything. But I ask for imagery to flow through according to what would best serve that person.
I have always experienced a certain feeling while creating, and it is that of the thrill of enchantment, depth of emotion and excitement. There is an adventurous quality to creative work because the creative process is one that puts you in the moment without knowing where it will all go. In Genesis, when God created the world, there was the breath of life and the spoken word, to “be” and breathe and to state intention. In other words, I have to be in control enough to paint, but spontaneous enough to feel truly alive, so the artwork also, hopefully, feels truly alive. I believe being creative is to be open to the indwelling Spirit that breathes life into all of us. A painting needs to do the same, to not just reflect that spirit but to breathe life into the viewer. And only the viewer knows when this happens, and sometimes it doesn’t. But I won’t let a painting leave my studio if this has not happened, in fact I cannot paint unless I feel the stirring of the excitement and emotion, of breathing life into something while I work.
The point of change, the moment of mercy comes when I finally ask, “What is it I’m supposed to learn here?” Some situations, goals or thoughts are held hostage by the ego to the point where no shift seems possible. I had a client recently who said she’d been having a terrible streak spanning many years, and felt cursed. We all relate to that feeling, but what is it that shifts us out of that? I don’t believe we’re cursed, even in bad times because I believe every moment holds the Light in it, but there can be very difficult times in our lives. I told this client that I’d found in my own suffering times that there is no shift out of misery until I surrender and ask, “What is it I’m supposed to learn in this situation?” It’s like looking up at the sky and surrendering, waving a white flag as big as the Milky Way, and the ego can’t stand it! This “breaking point” does not come easily, the ego refuses to be put in a position to have to “learn”–it thinks it already knows everything, and it asserts itself as to what it wants with great authority. “I know what is best for you,” ego seems to say. But when things are sorrowful, painful, forced or simply dysfunctional, it is a good moment when that ego has to surrender and the humble question of what should be learned arises from within. Tears may follow, but the good kind.