detail of a recent painting/ Elaine Clayton copyright 2015
Abraham Joshua Heschel, in his book, The Sabbath, writes, “What is the Sabbath? Spirit in the form of time.”
I have been thinking that time is what every interaction and relationship is founded on–we think we have lots of time with each other, with those we love, with certain situations—but we don’t. On earth, everything passes. Time has a preciousness to it when we realize that. But I have found that I did not always realize this. We are ruled by time, we rush here and there and let our sense of time run our lives through our schedules. But what do we do to sanctify or make holy our sense of “time”? In dreams, and in Near Death Experiences, there is often a remarkable feeling that there is no time–it is more that there is a presence of being, a feeling of “now” as in all-encompassing now.
I remember during a very hard time decades ago, I read about the Shechinah, the Eternal Bride who is welcomed at Sabbath. I knew inwardly that inside each of us, there is an eternal bride waiting to be greeted, celebrated and loved. A new beginning every moment, an everlasting essence within.
What do you do to bring yourself to a place of sacred time? Where do you go, or how do you find the peace that says not all time is about schedules and rules and goals and whatever else we’ve made it to be?
Pre-register now and join us in NYC at the wellness center on 5th Ave this May 16th from 4-6 pm. We will be using the methods shared in MAKING MARKS: Discover the Art of Intuitive Drawing. You will be taking the necessary steps toward building a personal, visual-intuitive language: drawing with emotion, gazing at the marks made, trusting what comes to you and then discovering and connecting what you see in your drawing with life situations and events.
“MAKING MARKS shows how a universal urge to make marks can be a doorway to dimensions of consciousness of which we’re unaware in our waking life. Want to unleash your inner Picasso or Paul Klee? Read Clayton’s captivating book!” –Dr. Larry Dossey, MD, author of One Mind and The Science of Premonitions
Before and After images: The same intuitive stream drawing above, drawn and then shaded in to show what I saw when I looked at it. I spoke of what penguin means to me personally, sharing my intuitive-visual language with her. I said they remind me of “good fathers” the way they take care of the eggs and stay with the family. This image had significant importance with the client who, after the session, told me she collects penguin images and they’re all over her house. And why did she collect penguin images? Because her main interest is in having a “good father” figure in her life, as a partner for having a family of her own. These are the kinds of wonderful, enjoyable but also deeply emotive things that can happen with creating stream drawings.
Register for this workshop through www.illuminara.com or by emailing me directly at firstname.lastname@example.org
Come recapture drawing in a free-style way I call ” stream drawing” and allow your unconscious, creative, imagination flow into your hands and onto paper. This drawing event is at Fairfield University Bookstore on April 25th at 11 a.m.
This is from one of my many, many sketchbooks circa 1980s– that space between drawn figures asks to be played with
All through high school I was obsessed with the visual wonders seen in the space between things–known as “negative space”. I didn’t speak of this to anyone, but just watched the beauty of the contour of prople and how the shapes between people or people and things looked. Later, I’d draw people and apply what I had seen and use what I had stored up inside of my mind all day. The gentle gesture of a hand against a chair, with another person leaning beside the chair, for example, could create a wondrous harmony or even indicate a dynamic of emotion (do the figures move away from each other or lean in toward one another comfortably?). And people never knew this about themselves. They might look triumphant standing under a great arch, yet they may have even been having a rotten day, and feel utterly diminished when I’d want to tell them they were royal. The spaces between people and objects helped set up stages where things happened and do happen. My first day in art school, Maria Artemis (sculptor, teacher) spoke of this visual study, “negative space” and I knew I was home, it felt like I was in heaven, finally getting to study in-depth the thing I was interested in and not only that, others out there were also just as interested in this!
How did such a happy, vibrant color end up being the way people describe sadness, as in, “I’m feeling so blue”? For me, blue is peace, calm, cool, heaven, sky, ocean. Blue makes green possible (with the help of yellow). Blue is mystical, a little mysterious, dynamic and makes purple possible (yes, with the help of red). I can never stop loving every subtle shade of blue from cobalt to “Robin’s Egg”–I even love the names of the shades of blue people have given over time. Blue gives me synesthesia sensations, such as, for me the number 5 is blue. It is the color blue in my mind. It triggers the masculine animus within–bold, confident, intelligent yet it triggers the feminine, too–receptive, creative, imaginative. Another synesthesia experience I have though is when I see written, or say the word, “azure” I see the color red in many shades–the word “azure” itself is red to me for some reason, even though it represents a dashing and stunning shade of blue). Blue and getting the blues—maybe ideally blue connects us to a point of spiritual arrival within, and when we feel “blue” we are saying we long for that return to completion, to feeling whole and as though we are where we need to be.
This is one of my sketchbook entries from 1989, when I was teaching at The Paideia School in Atlanta, GA. (a most fantastic progressive, independent school ). I was concerned about a young student who was having a hard time getting going in his creative writing and drawing assignment. Even way, way back then, I was trying to pass on the power of mark-making–drawing as a way to thrive, and it was simple: drawing freely helps break barriers to the self, opens the creative, imaginative flow and unlocks all the potential for discovery, exploration and learning. I know from experience that if this student, Michael, and so many others, did not have that time to create while being relaxed, mindful (that meditative state of the feeling of happy fullness and wellbeing) they would not have blossomed so well as they did. Drawing in an environment that is accepting, enlightening and embraces potential (the unexpected and the innovative) changes young lives.
Now and then, I love to feature the work of other artists and I’m so happy to do that today. In Atlanta, an Uber driver turned out to be the coolest person! We talked and I felt she had a spirit so full of life and promise. She is utterly beautiful, strong and insightful. Hiydaayah Williams, a former college basketball player, has many talents. As she moves forward choosing amongst those to cultivate, one of the things she does is photography.
Of this image, Hiydaayah says, “When I can’t express what I really feel, I practice what I can express, and none of it is equal.” –NG
Hiydaayah’s practice of photography is taking off, and I’m sharing this photograph of hers (which I love for it’s charcoal wintery feel, mixed with a sense of anticipation and a kind of Egyptian magic, the way the building’s windows create a striped motif). You can reach Hiydaayah for photographic work @ 404-518-0362.
Detail of one of my recent paintings Elaine Clayton copyright 2015
Snow changes the acoustics, making a sanctuary of the surroundings. There is a hushed, majestic quality. As I stand on the snow, there is something present within it, spiritually intrinsic and obvious to me–it is an extraordinary something– might be that each flash of light from each crystal snowflake (though we cannot see that beauty without a microscope) reaches the psyche, the heart in winter. After snow has been on the ground for many weeks or months, there is a formidable sense of endurance that comes with each step taken across the cool whiteness. Wanting the bitter cold to subside, the shadows across snowy mounds that have known us for a while whisper that Spring is not too far away.
Detail of a recent painting series Midrash Painting: Eve’s Dreams
Often, memories of the past surface; small or quick scenes of all kinds of past events or experiences flash into the mind’s eye (accompanied with a lot of emotion, too, if we notice). A fun thing to do is to try to flash on future events–it is a mind game in a way, of course, because the future has not happened yet and therefore we have no knowledge of it stored in the subconscious. But what if it were possible to see the future in flickers of awareness just as it is possible to experience the past? It too, is no more–only an illusion. All we have is “now”, but if you feel like seeing yourself in new ways, if you have wishes or dreams you’d like to realize, why not picture them into being? There are all kinds of dreams: dreams we have when we sleep, where we process all we have unconsciously absorbed and dreams that are day dreams, where we imagine what might be.
“Eve in a Shift Dress”, from my new series, Painting Midrash: Eve’s Dreams
This weekend at Congregation B’nai Israel in Bridgeport, CT, we are having an art show. Tomorrow we have a reception and conversation with the artists, if you’re local, please come by around 4:30! Tonight is a Shabbat dinner with special guest, Bella Meyer, the granddaughter of Marc Chagall, one of my absolute favorite artists. I am thrilled about it.
I have been working on a series, Painting Midrash: Eve’s Dreams. Dreams and intuitive sensing are such major themes in my life, and I have been learning to chant Jacob’s Ladder in Hebrew. It got me wondering what about the dreams of women, and are there any in Torah? I imagined the first woman, Eve, and thought about what her dreams would be. I had a sudden realization that her dreams are the same as ours: longing for Paradise. We long for something we cannot quite capture, or we do in glimpses, but there is always “trouble in Paradise” in one way or another. We live in a world of shadows and light, it is not perfect, it can be very painful. These paintings in this series represent that longing for harmony, self fulfillment, love and bliss in general, or even just basic safety and comfort.