detail of a recent painting/ Elaine Clayton copyright 2015
Abraham Joshua Heschel, in his book, The Sabbath, writes, “What is the Sabbath? Spirit in the form of time.”
I have been thinking that time is what every interaction and relationship is founded on–we think we have lots of time with each other, with those we love, with certain situations—but we don’t. On earth, everything passes. Time has a preciousness to it when we realize that. But I have found that I did not always realize this. We are ruled by time, we rush here and there and let our sense of time run our lives through our schedules. But what do we do to sanctify or make holy our sense of “time”? In dreams, and in Near Death Experiences, there is often a remarkable feeling that there is no time–it is more that there is a presence of being, a feeling of “now” as in all-encompassing now.
I remember during a very hard time decades ago, I read about the Shechinah, the Eternal Bride who is welcomed at Sabbath. I knew inwardly that inside each of us, there is an eternal bride waiting to be greeted, celebrated and loved. A new beginning every moment, an everlasting essence within.
What do you do to bring yourself to a place of sacred time? Where do you go, or how do you find the peace that says not all time is about schedules and rules and goals and whatever else we’ve made it to be?
Animals are often seen in intuitive stream drawings, which having personal and universal symbolic or literal meaning, depending upon the experiences of the one who created the drawing. Other surprises show up, it is a delightful process!
Stream Drawing Workshop in New York City
At the wellness center on 5th Avenue in NYC where I practice intuitive readings and Reiki, we are looking forward to the Stream Drawing Workshop this Saturday. If you’re interested in joining a workshop in the future (this one is full), please contact me through this site. I look forward to stream drawing with you, developing a visual-intuitive language and creating something from nothing.
Pre-register now and join us in NYC at the wellness center on 5th Ave this May 16th from 4-6 pm. We will be using the methods shared in MAKING MARKS: Discover the Art of Intuitive Drawing. You will be taking the necessary steps toward building a personal, visual-intuitive language: drawing with emotion, gazing at the marks made, trusting what comes to you and then discovering and connecting what you see in your drawing with life situations and events.
“MAKING MARKS shows how a universal urge to make marks can be a doorway to dimensions of consciousness of which we’re unaware in our waking life. Want to unleash your inner Picasso or Paul Klee? Read Clayton’s captivating book!” –Dr. Larry Dossey, MD, author of One Mind and The Science of Premonitions
Before and After images: The same intuitive stream drawing above, drawn and then shaded in to show what I saw when I looked at it. I spoke of what penguin means to me personally, sharing my intuitive-visual language with her. I said they remind me of “good fathers” the way they take care of the eggs and stay with the family. This image had significant importance with the client who, after the session, told me she collects penguin images and they’re all over her house. And why did she collect penguin images? Because her main interest is in having a “good father” figure in her life, as a partner for having a family of her own. These are the kinds of wonderful, enjoyable but also deeply emotive things that can happen with creating stream drawings.
Register for this workshop through www.illuminara.com or by emailing me directly at firstname.lastname@example.org
Elaine Clayton copyright 2015 All Rights Reserved
Detail of a recent intuitive stream drawing reading for a client.
In this chakra/emotional centers of the body view-point, an inner child was visible in the client’s throat and heart chakra. The inner child in this position symbolized the importance of nurturing an innocent and promising potential that has to do with one’s truth and emotional empowerment. The client confirmed this. The inner child herself has an active throat chakra, it seems there is a golden egg right there, waiting for the voice to be developed, to speak or cry out one’s thoughts and feelings. The client related to this theme very much since she described being a writer but not always having confidence in her intuitive/creative expressions even though she is very gifted. The reading supported her in developing self-trust and going back to basics with writing what cannot be criticized by the self–such as a dream journal. To learn more, see the “Books” page here on Illuminara.com, MAKING MARKS: Discover the Art of Intuitive Drawing.
This is a New Spirit Painting commission, created for Heather Strauch for A Different Approach PT / Elaine Clayton copyright 2015
How often do you have a personal springtime, a time of conscious renewal or even unwanted change which forces new ways and different approaches? I found Heather Strauch years ago when I was in a process of change both physically and spiritually. I sought help healing and found that “a different approach” was available, thank God. I had previously received excellent treatment, but then relocated and found a new practice that seemed unconcerned with the whole body, or with meaningful alignment and treatment which reflects true care. I searched alternatives hoping I’d find what was “right” for me and found it. Heather’s practice, A Different Approach PT, is “the real deal”, she is a true healer and I have trusted her for almost a decade with myself and my family members.
I have found often that in the process of seeking healing, we align with people and situations that are optimal for us as we unfold anew, creating the life we seek. At our core we are spiritually renewed even as we age and even as we experience illness. A personal spring time is necessary now and then, time for brining in the new, to heal and re-emerge with a different vision and healthy start. Spring into action, spring cleaning, spring has sprung. Eternal spring–our true essence!
A stream drawing in progress
How can “free handed drawing” (I like to call it “stream drawing”) connect you to empathy, to feeling for others? Drawing freely directly and immediately opens you to feeling, to sensation, to the momentum of emotions as they come and go. When you begin to feel, you begin a conversation with self, a conscious awareness of how you feel gives volume to your thought process and experiences. You aren’t just reacting anymore, you’re feeling and thinking and then choosing how to respond. This same conscious awareness is what opens us up to feeling for others—if we know our feelings, we are more likely to have empathy and compassion for others. We don’t have to understand all our feelings, just be in touch with them.
The same stream drawing once I start playing with it, gazing at it and drawing into it to find meaning, to feel more deeply, to increase creative exploration and visual-intuitive language. I come away feeling very open to the feelings of those around me.
Learn the basic steps to this enlightening and creative practice, the method shared in MAKING MARKS: DISCOVER THE ART OF INTUITIVE DRAWING.
The same stream drawing once I start gazing into and playing with it visually.
Elaine Clayton copyright 2014 Spirit Painting
Are we captives of time and space, and our perception of ourselves in relation to time and space, as Abraham Joshua Heschel asserts: “The higher goal of spiritual living is not to amass a wealth of information, but to face sacred moments.”
Come recapture drawing in a free-style way I call ” stream drawing” and allow your unconscious, creative, imagination flow into your hands and onto paper. This drawing event is at Fairfield University Bookstore on April 25th at 11 a.m.
This is from one of my many, many sketchbooks circa 1980s– that space between drawn figures asks to be played with
All through high school I was obsessed with the visual wonders seen in the space between things–known as “negative space”. I didn’t speak of this to anyone, but just watched the beauty of the contour of prople and how the shapes between people or people and things looked. Later, I’d draw people and apply what I had seen and use what I had stored up inside of my mind all day. The gentle gesture of a hand against a chair, with another person leaning beside the chair, for example, could create a wondrous harmony or even indicate a dynamic of emotion (do the figures move away from each other or lean in toward one another comfortably?). And people never knew this about themselves. They might look triumphant standing under a great arch, yet they may have even been having a rotten day, and feel utterly diminished when I’d want to tell them they were royal. The spaces between people and objects helped set up stages where things happened and do happen. My first day in art school, Maria Artemis (sculptor, teacher) spoke of this visual study, “negative space” and I knew I was home, it felt like I was in heaven, finally getting to study in-depth the thing I was interested in and not only that, others out there were also just as interested in this!
My quick study of the moment the Magician swan enters, stirring the tranquility of the sleeping swans
Elaine Clayton copyright 2015
My favorite part of Swan Lake is the dramatically dangerous moment the Magician enters, his dark and powerful wings triumphantly fan out in his menacing approach, fluttering the delicate feathers of the innocent.
Swan Lake is so archetypal, it reminds us and speaks to us of what we know to be true in life: It ain’t Paradise. We live in this world of shadow and light, positive and negative, where sweet guileless trust meets cunning and cruel manipulation.
Swans get ready. Don’t relinquish peace and grace because of evil deeds and intentions. Be a swan in your placid environment, and know that in the end, the magician gets caught in his own brokenness, his wing crushed and his flight permanently damaged ( Swan Lake Part 2: Broken winged Magician is sent to a nature preserve where 3rd graders get to pet him and this rehab softens his sickness and propensity for harming others before he dies a less bitter agent of ruin).